DTM初心者のためのソフト選び！ Cubase; Logic Pro; Studio One; Ableton Live; FL Studio; Pro Tools; その他DTMソフト; 国内DAWソフトの人気と動向 Download Ableton Live for free and start making music now. Live is fast, flexible music software for Mac and Windows. Send a download link to your inbox. Live comes in three editions: Intro, Standard and Suite. They share common features, but Standard and Suite have additional features, instruments, effects, and.
 
 

Ableton live 10 standard vs logic pro x free download.Ableton Live vs Logic Pro X: which DAW is best for you?

Convolution Reverb Capture the characteristic reverb of real physical spaces with advanced sound shaping. Corpus Updated for Live 11 Simulates the acoustic characteristics of seven types of resonant objects.

CV Envelope Follower Use the envelope of any audio material to control device parameters. CV Shaper A flexible and envelope modulation device for creating custom modulation shapes. CV Utility Merge multiple modulation signals to generate new shapes.

Echo The sound of classic analog and digital hardware delays in a single device. Gated Delay A delay with a gate sequencer that sends the incoming signal to a delay line on activated steps. Much like a send effect that is turned on and off in a defined rhythm. Hybrid Reverb New in Live 11 Combines convolution and algorithmic reverbs. Place your sounds in any space, from accurate real-life environments to those that defy physical reality.

Pedal Brings the analog character of overdrive, distortion and fuzz stompbox effects. Pitch Hack A single delay line with transposition control, as well as the ability to reverse audio, randomize the transposition interval and fold the delayed signal back into itself. PitchLoop89 New in Live 11 Create jittery glitch effects, delayed digital shimmers and outlandish vibrato with this Max for Live pitch shifting device created in collaboration with Robert Henke.

Re-Enveloper A multiband envelope processor that divides the signal into three adjustable frequency bands. Attack and Release knobs control the responsiveness of the effect. Spectral Blur Creates sounds and textures best described as reverb-like.

A user-defined frequency range of a signal is blurred to create a dense, cloud of sound. Spectral Resonator New in Live 11 A sound mangling device that can make anything passing through it sound completely unlike the source material. Use the MIDI sidechain input to process material in key with its surrounding musical elements — like playing an effect as if it were an instrument.

Spectral Time New in Live 11 Re-synthesize your sounds and feed them into a network of filters, dynamics, reverb and delay, to add metallic echoes, pitch shifting and space to any sound source. Freeze the sound to capture and hold a slice of the audio and alter its characteristics in real time. Surround Panner Multichannel Panning device for surround mixing with multi-channel speaker setups. Arpeggiator Takes individual notes from a held chord and plays them as a rhythmical pattern.

Rotating Rhythm Generator Create organic rhythms and experiment with modular style beat generation. Melodic Steps A fast and intuitive MIDI sequencer for evolving melodies with an interface designed to encourage experimentation and new discoveries through play. Unique Session View for quick, intuitive composition, flexible performance and improvisation. Nondestructive editing with unlimited undo. Powerful MIDI sequencing of software and hardware instruments.

Advanced warping and real-time time-stretching. Group tracks Use multiple levels of groups to mix with greater flexibility and manage detailed arrangements more easily. Comping New in Live 11 Record multiple takes of a performance, then combine the best ones. Linked-track editing New in Live 11 Link two or more tracks to edit their content simultaneously. Multiple automation lanes. MIDI Polyphonic Expression New in Live 11 Add bends, slides and pressure for each individual note in a chord, add subtle expression variations, morph between chords and create evolving sonic textures more easily.

Tempo Following New in Live 11 Live listens to and adjusts its tempo based on incoming audio in real time, making it a dynamic part of the band instead of the tempo source that everyone has to follow. Note Chance New in Live 11 Set the probability that a note or drum hit will occur and let Live generate surprising variations to your patterns that change over time. Velocity Chance New in Live 11 Define ranges for velocity probability for subtle, humanized variations in the dynamics of your patterns.

Automatic plug-in delay compensation. MIDI remote control instant mapping. MIDI output to hardware synths. Ableton Link A technology that keeps instances of Live and a growing collection of iOS apps in time over a wireless network.

Note Compatibility New in Live Instrument Racks Updated for Live 11 Combine multiple instruments and effects into a single device, allowing for split and layered sounds with customized Macro controls. Scenes Updated for Live Audio inputs Mono audio input channels. Audio outputs Mono audio output channels. Complex warp modes Advanced algorithms for stretching audio, ideal for working with mixed audio or full tracks.

Audio-slicing Slice audio to a Drum Rack or Sampler instance. Max for Live Powers a range of instruments and devices in Live Suite, and lets you customize or build your own devices, change the way Live works, and connect Live with the world around it. POW-r dithering Mastering quality dithering modes for downsampling audio. Play Analog Emulates the unique character of vintage analog synthesizers. Play Collision Updated for Live 11 Physical modeling instrument for authentic mallet percussion sounds and creative percussion.

Play Electric Updated for Live 11 The sounds of classic electric pianos. Play Operator A versatile synthesizer combining frequency modulation and subtractive synthesis.

Play Tension Updated for Live 11 Physical modeling string synthesizer. Play Chop and Swing Updated for Live 11 A homage to the style that made sampling an art form and put a new kind of groove on the musical map.

Play Drum Essentials Drum Essentials is a collection of handpicked sounds selected to cover a wide range of styles. Play Grand Piano Updated for Live 11 Multiple articulations, sampled from a carefully prepared and programmed piano to capture the virtuosity of the classical grand piano sounds.

Play Guitars and Bass A set of electric guitars and basses, expertly multisampled to cover different playing styles, velocities and articulations – from funky slap bass to gently strummed guitar chords. Play Skitter and Step Updated for Live 11 A sound collection that inhabits the space where growling basses, rinsing pads and jarring melodies collide with jagged, broken percussion.

Play Beat Tools With more than Drum and Instrument Racks, over loops for slicing, tweakable effects chains and more, Beat Tools has all the sounds you need for hands-on beatmaking — especially with Push. Play Brass Quartet New in Live 11 Features a rich blend of trumpet, French horn, tenor saxophone and trombone in your music.

Play Build and Drop Build and Drop is loaded with ecstatic leads, enveloping bass, slamming drums and a range of rises, sirens and sounds effects. Play Drive and Glow Updated for Live 11 Drive and Glow combines swirling synth textures, overdriven guitars and basses and pounding drums. Play Drone Lab New in Live 11 Weave complex, evolving threads through your productions with tonal and textural samples, generative noise, multisampled instruments, plus devices and Effect Racks designed for experimentation.

Then open Live and follow the instructions there. If you want to uninstall the trial at any point, you can find help here. You can install the trial next to your current version. Your library will not be overwritten or altered. For a limited time only. Head to the Ableton shop. Send a download link to your inbox. There may be a typo in your email address. Logic Pro X が過去最大のアップデート！新機能が多数追加！. Apple（アップル）が、年5月12日に Logic Pro X を大幅にアップデートした バージョン Logic Pro.

あなたのMacを、すべてを備えた完全なプロ仕様のレコーディングスタジオに変えるLogic Pro。最初の一音から最後のマスタリングまで、ミュージシャンに必要なものが全部そろっています。.

【初心者向け】DAWソフトおすすめ10選！比較して解説【年】 – DTM Hacker – Share this post

With Ableton, there are a ton of pre-populated individual drum hits, cymbal smashes and shuffles for you to drop into any order to create something unique. Plus, the easy snap feature means that you can easily drag and drop beats to really build your track. Ableton also has free sound packs! Again, the automatic loop becomes a really useful feature in this process. So if you need to create more complex masterpieces, you will probably need to look at upgrading, which also unlocks a wider array of other features and plugins.

The key to any DAW is Plugins! Your plugins are effects that you can add to your tracks to manipulate the audio. These are really what transforms your raw audio into something that sounds palatable. Ableton also comes with a really good number of plugins. For me, the way Logic presents its presets is much easier.

You open up the plugin in question and choose from a dropdown menu. Whereas with Ableton, you need to select from a library and then drag the preset onto your track.

You then must choose another from a separate list in the library, rather than having it in one place. Mixing in Logic Pro X is a dream. You can either run your mixer as the window beneath your main project view, or have it as a separate window.

This is particularly nice if you have a second screen. That way, you can mix while also maintaining an overview of what is coming up. This, in turn, gives you the ability to see how that will affect your mixing decisions. Creating new buses is really straightforward, and the layout of the mixer is very familiar.

But it also has the added benefit of easily and clearly displaying the plugins on each track. However, this is very much a luxury of the digital world, and something that is not present in analogue systems. It may be that Ableton decided to make these views interchangeable rather than visible in parallel based on this principle. One great thing about Ableton is that Lite versions of the software usually come free of charge with certain hardware.

Focusrite and Novation products also often include a license for Ableton Live Lite. So, it can be a great software to get started with if you are purchasing MIDI keyboards or audio interfaces. The Push is the first pad-based controller that embraces scales and melody. Each of includes Ableton Live 10 at differing levels, as with the usual versions , plus the Push. It is beautifully laid out, powerful, and sounds great. It really is a professional-grade DAW that makes creativity easy and fun.

Also, learning to it as a precursor will make Logic feel like an easy step up when you come to invest in a DAW. Ableton does have some nice features, however! Plus, the fact that it comes free with certain hardware and is also available on PC means that if budget is a factor, you can get started for less.

However, I feel this is a bit of a false economy given the limitations of the lower editions. In my opinion, the complexity of the pricing model is bordering on the ridiculous. All our courses are created by industry professionals, with a wealth of knowledge and expertise. In contrast, with its less stratified, comparatively accessible interface, Live is about as lean and mean as DAWs get, and the speed with which the seasoned user can fly around its Session and Arrange Views, Piano Roll and Sample Editor is something to behold.

Back across the pond, Logic is famous for its unrivalled key commands scheme, with which a vast array of shortcuts can be customised to suit the specific tactile needs of the user, no matter how eccentric. This amazing hardware controller features an RGB backlit pad grid for versatile melodic and percussive note input, a bank of contextual buttons and rotaries for mixer and plugin control, and plenty of buttons for governance of Live itself — a truly spectacular fusion of hardware and software.

Clearly, Apple and Ableton are coming at this music software malarkey from two wholly alternative perspectives and with a pronounced disparity in terms of pricing flexibility. Ultimately, Live 10 and Logic Pro X are both comprehensive in their provision of MIDI and audio recording, editing and mixing facilities, bundled plugins and brilliantly realised workflows, so deciding between them comes down to three things.

First, the kind of music you make. Now a Mac only program, which was originally available as a boxed application, it is only available as a digital download from the Mac App Store. It takes the basic concepts of Logic and allows users to experiment in a stripped down version of the software.

It’s great for kids or beginners, or if you’re just making songs with loops who hasn’t done this with Garageband? Due to Logic being an Apple exclusive, if you’re running Windows , your options stop here unfortunately. While Ableton Live supports both platforms, Logic sadly does not. Starting its life in as a DAW and software sequencer, Live – made by German company Ableton – is the most popular DAW in the world for electronic music producers, many varying surveys have been done, and Ableton always seems to come out on top.

Built to function in a similar way to all other DAWs, Ableton contains all the features you’d expect to allow users to create, record, compose and produce music. However, it’s also bundled with a whole host of features that make Live essentially an instrument for performing live or DJing. Live’s built in engine essentially acts in a similar way to a Loop pedal, and it also includes tools for beat matching, cross fading and other performance based effects. But more on this later. Live comes in three iterations.

Intro , Standard and Suite. For a more comprehensive look into what makes Ableton so unique, check out our other article here. There are a whole host of DAWs on the market, so there are a lot of questions to consider when comparing or considering one for your own use.

If you’re making electronic music to be performed , for example, Ableton Live is the best choice by a mile. If you’re more focused on recording instruments and getting to use lots of technical plug ins , maybe Logic is the way to go.

Straight off the bat, if you’re going in blind with no former knowledge of the two, there’s no getting away from the fact that Logic is much better value for money than Ableton, because it’s cheaper, and comes bundled with everything you need. That’s over double the price, and then some. It’s an unfortunate reality that Music Production can be an expensive hobby with some plug ins alone costing in the hundreds but if you’re serious about making it work, that won’t stop you.

However, if you aren’t sure, or if budget is not an issue, read on to check out exactly what sets these two DAWs apart from each other, and which one is right for you. This is probably the most fundamental question you need to ask yourself when trying to decide which program suits your needs best. If you know exactly what you need from a DAW, you’re better prepared to choose one.

If your workflow takes the form of building a track in an arrangement , delving into sound design and composition , then Logic is for you.

Logic is similar to every other traditional DAW in the way that it has a linear style of arrangement, mapped to the time domain. Much like Logic Pro, Ableton Live also has a time-based arrangement-view but also benefits from session-view. Session view was how Ableton Live started as a program and is what makes it such a powerful tool for live performance. Session view allows DJs and performers to jam and experiment with clips, loops, and arrangement to quickly get ideas, concepts or entire compositions into Ableton Live.

These ideas can then either be re-performed using session view or recorded into arrangement view to be exported as a final composition. It could be argued that versions of Ableton Live prior to Live 10 could have done with a face-lift, which is essentially exactly what happened in Live This ensures all of Ableton Lives devices follow the same theme and in my opinion this also makes them more intuitive to learn and navigate because many of the parameters of a device can be found on multiple devices.

Both DAWs are extremely feature rich. Here is a list of some of the key-points taken from both of them. Ableton is capable of doing this as well but it is not a default feature and requires an options text file hack. Ableton definitely has its advantages for electronic music which utilizes heavier use of audio manipulation and sampling in particular. However, from personal experience we feel that Ableton Live is the DAW of choice for fast idea-generation and a speedy workflow.

It pays dividends to learn the shortcuts for each application or look at getting a keyboard overlay to help you. Keyboard overlays are especially useful if you plan on using both apps and will be jumping between them on a weekly basis. In Ableton, this sort of task would require very little extra work from the user. For this reason, Ableton Live is great for creating complex live sets with tempo changes and is also a great tool for creating studio DJ mixes and radio show podcasts.

Ableton has a basic pitch transposition engine which allows for basic edits to pitch and formant but has no real way of making in-depth edits to vocals at this stage. Whilst this algorithm can sometimes get it disastrously wrong it can be used as a great creative tool to come up with new ideas and is also something we use to extract timing values as well as harmonies and melodies from sampled material.

Ableton Live has MaxforLive which makes the possibilities of what you can do with Ableton Live almost limitless. If you can think of it, Ableton and MaxforLive can do it, such as:. Both Applications great with most standard midi controllers and control surfaces.